On the downside, far too much of the action followed Hollywood's long-standing crush on the shakycam, the extreme close-up, and other methods of making sure that the poor, hard-working fight choreographer goes unappreciated since you can't really see the fight. In keeping with the video game's history as a platform game, Dastan does a lot of acrobatic jumping, and Jake Gyllenhall trained in parkour for the movie, but we often don't get to see the stunts very well either -- the shortish sequence in Casino Royale showed parkour better than the many longer sequences in Prince of Persia due to the cinematography.
There was also some editing that seemed jerky, particularly near the end. To avoid spoilers I won't say which scenes I mean, but there are two right at the very end that both seemed rushed, with things happening far too fast for their dramatic importance. Maybe that's just how I felt, though.

The male and female leads had the obligatory love-hate relationship, with interleaved bickering, moon-eyes, treachery, almost-kissing, and more bickering. Often, when you see that storyline done, it's perfunctory and uninspired, and in a movie like this you expect it to be paint-by-numbers, but it's done really well, largely to the credit of the actors. Doesn't hurt that the dialogue didn't come across as the characters just being sassy because of being sassy, but because of having real reasons to believe and act as they did. (Even if Tasmina tended to describe so many things as "sacred" one expected her to start going on about how her breakfast cereal was sacred after a while. In another life she'd be a Minbari.)
If you want some light entertainment to eat popcorn to, this is a great choice. It's probably one of those movies that you'll want to see on a big screen for the sake of the action sequences. It's not something that'll take up residence in your mind though.
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